Zeiss ZM Biogon 35mm F2 Review
Intro
In July of 06 I went to Tokyo on a much needed vacation from teaching English to Korean preschoolers. After mentioning to Guy that I wanted to look for a copy of the elusive Konica Hexanon 35, Guy was kind enough to show me around to a bunch of camera shops. Down in the basement of Map Camera, I found the sought after Hexanon, but also a slightly used and much cheaper ZM Biogon 35 F2. Economy won the day, and I walked out the door with Biogon and no regrets. I’ve used my Biogon 35 almost every day since. Here’s my 20 roll report.
Overview
- Build quality & Handling: The lens feels very sturdy. It mounts securely. I’ve not noticed any wear on the finish, and mines been bouncing around in coat pockets etc for 5 months.Focussing is smooth. Aperture detents provide good feedback. It’s a little larger than many 35 f2 RF lenses, both in depth and width, but it’s still small enough that I sometime have problems with my fingers getting in front of it.
- Sharpness: Altough there are at least two reviews online that state this lens is too soft wide open, I’ve not found this to be true. For handheld work, there’s no practical difference in sharpness between F2 and F4. On a tripod, with a totally motionless subject, I’m sure that it’s softer at f2 than at f8, but when I use f2, its usually because I’m handholding at 1/15 or 1/30. There’s plenty of resolution at f2 for that kind of work. And yes, the field is nearly entirely flat and it is sharp all the way out to the corners.
- Contrast: At F2 the lens is slightly less contrasty than at F4, although it’s nothing you can’t change in printing or in Photosop. In really contrasty light, shoot it at F2 and you don’t have to worry so much about over juiced highlights.
- Highlight Rendition: For my uses, if I don’t have to adjust my developing, I figure the highlight rendition is pretty neutral. I’ve not made any adjustments for this lens.
- Flare: Flare is extremely well handled. I don’t have a hood for mine, but I’ve seen some mild veiling flare only twice. Also, on one occasion, with the setting sun pouring in through a nearby window, I did manage to get some gnarly flare, but it was kind of an interesting effect.
- Bokeh: I like it. This lens is smooth and sharp at the same time in an uncommon way. I’ve never seen anything that is exactly like it. I think part of it has to do with just how sharp it really is wide open.
- Gut Reaction: This is an amazingly competent lens, and one that is hard not to like after you shoot with it for a while. It’s got a quiet personality, but there’s very little it can’t do. That corner to corner sharpness and the soft transition between in and out of focus give it a very realistic rendition even wide open without seeming overly harsh. It’s not a lens that’s going to overwhelm the other choices you make as a photographer, but it is one that will give you a lot of raw material to work with.
The Pictures











Zeiss VS Leica
Konica and Voigtlander have both shown that the hardest part of building a better M mount lens or camera than Leica is getting anyone to believe you. The Hexar was dogged from day one with reports of questionable reliability and incompatibility with Leica lenses. By extension, the lenses are often still viewed as suspect. The Voigtlander gear has had it’s reliability impugned from day one as well, although it’s apparently OK to buy one of their fun lenses – like the super wides or snapshot lenses – as long as you have your Cron V4 on hand for the serious stuff. Of course, since Cosina also makes the Zeiss Ikon gear, the reliablity and quality of construction of the ZM stuff must therefore be suspect as well. Or so the forumers would have you believe. The Biogon is the only piece of ZM gear that I’ve used for any amount of time, but if it is any indication, the rest of the Zeiss Ikon line must be superb. But, alas, it isn’t made by Leica. Oh well.
So is the Biogon as good as a Leica lens? I don’t know. Define good. Good like the overly contrasty snaggle tooth bokeh of the Asph Cron 35? Good like the also overly contrasty, highlights pushed to heavens, show me every zit sharpness of the 35 Lux Asph? Or good like the no sharpness except in the center oops my my aperture ring no longer has detents Cron V4? No, it’s not good like any of those.
Conclusion
Zeiss promotional literature calls the Biogon “The Powerful All-Rounder.” Unlike a lot of marketing copy, that appellation lies very close to the truth. It would be hard to choose a better lens for travel or the desolation of desert island.
[...] Quick Optical Note: For the last 9 months I’ve been alternating back and forth between using the ZM Biogon 35 and the 50 Hexanon. I’ll stick one on the camera and leave it there for a month or two or three, and then, when my mood changes, switch to the other. One of the interesting outcomes of this is the cycle of surprise – as in “Wow, that lens is really good” – that comes when switching back to the other one. After going through this a couple of times, I’m fairly comfortable with saying that the Biogon is the better of the two. Both are excellent, but the Biogon just seems more consistently snappy and three dimensional. Despite my preference for the 50mm focal length, if I had to choose one lens, I think it would have to be the Biogon. Of course, with the long contrasty days of summer coming on, the slightly duller Hexanon may retake the lead. Posted by matt Filed in Optics, Photos [...]
Hi Matt,
Thanks for that interesting review (35 F2 Biogon)–by golly, I’m going
to buy one for my M4 currently sporting a CV Compact
35mm–much too small for fingers like those I have to use.
(Not a bad lens, but nothing special.)
Your wife or girlfriend has a very beautiful, soulful
face–nice you’re paying attention to it! I share your good opinion of the Zuiko 50mm 1.8, but all time
fave is an old, old pre Ai Nikkor 50 f2. Sweet and
smoooooth! For BW try Innova F Semi-Matte with the 2400 and the Advanced BW if you like smooooth! Who
would have believed it! Thanks,
carl
Carl, thanks for the compliments and the tip about Innova F Semi-Matte. I’ll give it a try.
[...] Colin pointed out a little propaganda-review of the ZM Biogon 35 over at Zeiss’ website (PDF version here). [...]
I bought a Biogon 35 at Map Camera in Shinjuku myself just yesterday (Sept. 11, 2007).
It’s a hell of a piece, and I agree with the comparison with the Hexanon 50 above, which is one of my faves.
I’m switching back and forth between a Hexar RF body and an M8, and the great thing about use with the M8 is that it becomes a very sweet 50.
I’ll be posting some images on my site in the days ahead.
My Flickr: http://www.flickr.com/photos/aglimpseoftheworld/
wonderful blog. I rss’ed it.
I would liketo ad it to the links in mine – email me if it’s ok by you
Thanks
Mike
Hey Matt,
My first Leica was an M5. I was 18…a ca-zillion years ago. I have since moved on to larger formats and time zones. I have decided to get an MP chrome and I’m thinking of glass for it, your input is much appreciated.
cheers
Frank (still loving film)
wow! i totally agree with your assessment of this lens. i love it. i think that onlinephotographer guy gave zeiss bokeh so much shit … called him out on it … because unlike yourself or me, for that matter, we actually USE the gear.
we don’t just talk about it!
all of the zeiss glass is one of the reasons i’m considering getting the d3.
‘all of the zeiss glass is one of the reasons i’m considering getting the d3′
I know what you mean. If Nikon could could put together a full frame DSLR closer to the size of the D80 or D300 . . .
I’ve thought about buying a used F3 to use with some of the Zeiss ZF lenses; sometimes I miss using an SLR.
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> Bokeh: I like it. This lens is smooth and sharp at the same time in an uncommon way. I’ve never seen anything that is exactly like it. I think part of it has to do with just how sharp it really is wide open.
I have. The Zeiss Planar 50/1.4 for Contax SLRs (C/Y bayonet). It behaves exactly how you describe.
Thanks for taking the time and trouble to post this informative review.