These were actually done with the 50 Hexanon and all pretty much wide open at that.
I’m afraid that previously announced one lens, one film austerity program didn’t last very long, but I learned what I wanted to out of it. Follow up post to come.
Matt, of the five images above, I really find myself coming back to the top image of the dark house with the lit pourch in the late (early?) light. There is something haunting and beautiful about this image that I keep thinking about. Very, very nice.
All with the 35 biogon? Flare control is pretty fantastic.
These were actually done with the 50 Hexanon and all pretty much wide open at that.
I’m afraid that previously announced one lens, one film austerity program didn’t last very long, but I learned what I wanted to out of it. Follow up post to come.
Matt, of the five images above, I really find myself coming back to the top image of the dark house with the lit pourch in the late (early?) light. There is something haunting and beautiful about this image that I keep thinking about. Very, very nice.
Thanks Doug. The one you mention and the last one are the ones I ended up printing, so we must think alike.