In the previous post on this subject, I mentioned that scanning B&W negatives as positives could be a useful technique for high contrast negatives. Take a look at this example scanned as negative:

03990037neg.jpg

levels_neg2.gif

Yuck. Nasty, too bright highlights. I could work with it in PS, but I’d be struggling to bring those highlights down in any way that would look natural. Scanning as a negative positive gives me this, which at first glance, is worse:

03990037pos.jpg

levels_pos2.gif

A quick dose of levels and some wide radius USM, gives me this:

The highlights have been taken down from the painful range, but there’s still some detail in the skin tones. Looks better to me.

2 Responses to “Scanning: Negatives and Positives, Part 2”

  1. Ross Macdonald Says:

    I think that there is a typo in the text: in the second paragraph: ‘Scanning as a negative…’ should be ‘Scanning as a positive…’?

  2. matt Says:

    Indeed it should Ross. Thanks for pointing that out.

Leave a Reply